Reiff, considered the Southwest and Wagner system.”in the industry visionary and perfectionist quality, professionalism and perfection about go. How transport these high standards to your clients?”is ultimately as in cars. I ask the customer: you want a VW Polo or a fully equipped Porsche? Or the middle-class car? In the film, it’s like all other “products”: pull upwards and there is no limit, down just yet, if you want a high-quality film. Once compromising on a commercial or image film to be made, you must either rethink the concept or not to make the movie. A bad image film is that what he means literally: bad image. Corporate films and commercials are the business cards of a company, a philosophy. The moving image will soon completely displace the use we will see advertisements everywhere moves, the iPad will have at some point the “thickness” of paper, already their photo shoots to film magazines such as Vogue and take individual pictures of the moving image the high-resolution digital cameras such as the Red epic 5 K (7faches HDTV) – the moving image will be more and more businesses in importance, because it evokes more emotion than a brochure. I have the momentum of the moving image, the sound in the film – the technology is always “cheaper” – but the expertise of those who use the technology, is essential.
And that costs money. An amateur actors will never give me the emotion of a professional, I might save money, but lose the timing of the leadership of the acting and the emotion. There are positions in a good movie, which must have absolute quality to work simply. “Certainly you do here and there trade-offs depending on the budget, but any compromise some abdominal pain.” how you proceed on a film project? “there are no recipe. There is a Fund of which around buzzing in the head, once anything is not.